La Trinità è un affresco di Masaccio, conservato nella terza campata della navata sinistra della basilica di Santa Maria Novella a Firenze.L'affresco è stato dipinto nel 1427-28, poco prima della partenza per Roma.Si trova nella parete della terza campata, nella navata sinistra. Masaccio: vita ed opere Appunto riassuntivo della vita di masaccio con inclusa descrizione dettagliata delle sue opere La trinità e Sant'anna metterza. The Crucifixion, the upper part of the fresco, was subsequently transferred to canvas, and relocated to a different part of the church. LUOGO: terza campata della navata sinistra della Basilica di Santa Maria Novella, Firenze. Recentissimi studi e rilevamenti hanno evidenziato il rapporto che lega la Trinità di Masaccio con il sole e il simbolismo millenario assegnato alla luce come essenza stessa di Dio e al giorno dell’equinozio di Primavera, il giorno in cui le ore di luce uguagliano quelle della notte, iniziando così il risveglio della natura. Introduction The Trinity fresco at Santa Maria Novella in Florence, painted by Masaccio around … Tra il 1426 e il 1428. "Carved" in the wall above the skeleton is an inscription: "IO FU[I] G[I]A QUEL CHE VOI S[I]ETE E QUEL CH['] I[O] SONO VO[I] A[N]CO[R] SARETE" (I once was what you are and what I am you also will be). Misura 317x667 cm ed è universalmente ritenuta una delle opere fondamentali per la nascita del Rinascimentonella storia dell'arte. Masaccio, The Holy Trinity, c. 1427, fresco, 640 x 317 cm (Basilica of Santa Maria Novella, Florence)Speakers: Dr. Beth Harris and Dr. Steven Zucker The painted figures are roughly life-sized. Dalla morte del corpo (lo scheletro) ci si eleva, E quando è stata realizzata? Over the course of time and events (see above), the fresco has been damaged and subsequently restored. This work included reconfiguring and redecoration of the chapel-area in which Masaccio's fresco was located. Brancacci-kapel. La Trinità di Masaccio is one of the most important paintings in art history…..and it came very close to being destroyed! However, there is, to date, no concrete evidence for the direct involvement of either of these 2 persons, and due to the lack of documentation about the exact circumstances of the piece's creation, theories about 3rd party involvement in the creative process remain speculative. Una delle opere d’arte più significative e ricche di simboli è la cosiddetta Trinitas in Croce, la Trinità nella Croce di Masaccio, in Santa Maria Novella a Firenze. If we look at the composition of the figures, we see that they are in a kind of pyramidal shape. Masaccio's Holy Trinity was rediscovered when Vasari's altar was dismantled during renovations in 1860. The fresco had a transforming effect on generations of Florentine painters and visiting artists. Coordinate. The Holy Trinity, with the Virgin and Saint John and donors (Italian: Santa Trinità ) is a fresco by the Early Italian Renaissance painter Masaccio.It is located in the Dominican church of Santa Maria Novella, in Florence. Size of this preview: 273 × 598 pixels. Much of the outer edge of the upper section, mainly architectural detail, is replacement work. Siamo a Firenze, precisamente nella chiesa di Santa Maria Novella. Bernard van Orley and Pieter de Pannemaker, Boxwood pendant miniature in wood and feathers, This isn’t just an engraving of Adam and Eve from 1504. According to Vasari, Masaccio was the best painter of his generation because of his skill at recreating lifelike figures and movements as well as a convincing sense of three-dimensionality. La Trinità di Masaccio. Masaccio (December 21, 1401 â autumn 1428), born Tommaso di Ser Giovanni di Simone, was the first great painter of the Quattrocento period of the Italian Renaissance. We believe that the brilliant histories of art belong to everyone, no matter their background. Masaccio dipinse La Trinità sulla parete della navata sinistra nella Basilica di Santa Maria Novella di Firenze. The upper section of the fresco still retains traces of candle-smoke and heat-effects from use of this altar. According to the established conventions of such depictions, it is generally, but not universally, assumed that they were probably still alive at the time of the artwork's commissioning. Massacio puts the horizon line across the floor that the two donors are kneeling on. Brunelleschi's work on linear perspective and architecture certainly inspired the painting, and this is clearly demonstrated within Massacio's work. Orbit navigation Move camera: 1-finger drag or Left Mouse Button Pan: 2-finger drag or Right Mouse Button or SHIFT+ Left Mouse Button Zoom on object: Double-tap or Double-click on object Zoom out: Double-tap or Double-click on background Zoom: Pinch in/out or Mousewheel or CTRL + Left Mouse Button For an adult of average height facing the painting, their eye-line would have been slightly above 'ground-level' in the work; with Death in the form of the crypt and skeleton directly front of them, and the promise of Salvation above. When the new year has just begun, everybody hope it will bring peace, health and prosperity. Explore content created by others. . È morto giovanissimo, ma ti assicuro che nella sua breve vita ha dimostrato di essere uno dei più grandi artisti dellâera moderna. In 1424 het die duo preciso e noto ('welbekende duo') van Masaccio en Masolino opdrag van die magtige en welgestelde Felice Brancacci ontvang om 'n siklus van fresko's vir die Brancacci-kapel in die kerk van Santa Maria del Carmine di Firenze in Florence uit te voer. Armed with Brunelleschiâs pioneering method to recreate the illusion of a realistic area, Masaccio cradles his subjects in what seems to be a proportionate and accurate depiction of a real place. Molto bello il ciclo di affreschi delle Storie di San Francesco, che vengono comunque collocate nella Firenze di quell' epoca (1500). In 1427 inside Santa Maria Novella, Florence, Masaccio created the masterpiece The Trinity using linear perspective for the first time. We see what looks like a Roman triumphal arch, with a coffered ceiling, barrel vault, pilasters, and columns. Architecture (detail), Masaccio, Holy Trinity, c. 1427, fresco, 667 x 317 cm (Santa Maria Novella, Florence, Italy) (photo: Steven Zucker, CC BY-NC-SA 2.0) The architecture One of the other remarkable things about this fresco is the use of the forms of classical architecture (from ancient Greece and Rome). 13-ott-2015 - Masaccio - Trinità, dettaglio Madonna - affresco - 1425-1428 - Basilica di Santa Maria Novella - Firenze Help Smarthistory continue to make a difference, Help make art history relevant and engaging, Expanding the Renaissance: a new Smarthistory initiative. He employed nudes and foreshortenings in his figures. ... Nella Chiesa di Santa Maria Novella a Firenze, datato 1426-1428, laffresco della Trinit di Masaccio opera di collaborazione con. 13-ott-2015 - Masaccio - Trinità, dettaglio Madonna - affresco - 1425-1428 - Basilica di Santa Maria Novella - Firenze La Santa Trinità is the Holy Trinity; the Father, Son, and Holy Spirit. Questo affresco è stata una vera e propria sfida. La Trinità è un affresco di Masaccio conservato nella terza campata della navata sinistra della basilica di Santa Maria Novella a Firenze.Si tratta dell’ultima opera dell’artista, morto a soli 26 anni e considerato uno degli iniziatori del Rinascimento in quanto attuò per primo un rinnovamento della pittura … 15-giu-2018 - Storia, descrizione, analisi, commento e spiegazione della Trinità di Masaccio, un affresco realizzato nel 1425-1427 e conservato all'interno di Santa Maria Novella, a Firenze. Masaccio’s contemporaries were struck by the palpable realism of this fresco, as was Vasari who lived over one hundred years later. In quella data il dipinto fu riscoperto e iniziarono le prime operazioni di conservazione. The Trinity is thought to have been created by Masaccio sometime between 1425-1427. The effect of using the technique of linear perspective gives the illusion of realistic space that moves backward in true depth. La Trinità del Masaccio a Firenze. On thinglink.com, edit images, videos and 360 photos in one place. Media in category "Trinity (Masaccio)" The following 21 files are in this category, out of 21 total. Presumably, the representations in the painting serve as relatively accurate likenesses of their actual appearance at the time when their portraits were created. Pianfetti Giulia Secondo Elena Classe 3^E 15/05/2006 La Trinità L’affresco La Trinità nella Basilica fiorentina di Santa Maria Novella a Firenze risale al 1426-1427. It is located in the Dominican church of Santa Maria Novella, in Florence. Ugo Procacci, Masaccio, Florence, 1980. Several diverse interpretations of the fresco have been proposed. La Trinità L’affresco con la Trinità, dipinto tra il 1426 e il 1428 nella navata sinistra di Santa Maria Novella a Firenze, è l’ultima opera di Masaccio. Morirà lâanno successivo, nel 1428. Essa è frutto della collaborazione di due dei più grandi artisti dell'epoca, Masaccio e Masolino da Panicale, ai quali deve aggiungersi la mano di Filippino Lippi, chiamato a completare l'opera … The fresco is located along the middle of the basilica's left aisle. Explore content created by others. An interconnected world is not as recent as we think. Trinità Masaccio [j3nok532334d]. The Holy Trinity, with the Virgin and Saint John and donors (Italian: Santa Trinità ) is a fresco by the Early Italian Renaissance painter Masaccio. Giorgio Vasari a amplement décrit la fresque en 1568, dans la seconde édition des Vies. By this time, "standard practice" in restoration had become more conservative, with a stronger emphasis on preserving and revealing the authentic work of the original artist; whereas earlier restorations tended to have more focus on producing an aesthetically pleasing "recreation" of the artwork. When it came time to implement the planned renovations of the chapel containing Trinity, circa 1570, Vasari chose to leave the fresco intact and construct a new altar and screen in front of Masaccio's painting, leaving a small gap, and effectively concealing and protecting the earlier work. The Holy Trinity, with the Virgin and Saint John and donors (Italian: Santa Trinità ) is a fresco by the Early Italian Renaissance painter Masaccio.It is located in the Dominican church of Santa Maria Novella, in Florence. La Trinità è universalmente ritenuta una delle opere fondamentali per la nascita del Rinascimento nella storia dell'arte.. Possiamo immaginare lo stupore dei fiorentini quando, rimosso il velo, apparve questa pittura che pareva aver scavato un buco nel muro per mostrare al di là una nuova cappella sepolcrale, costruita secondo il moderno stile di Brunelleschi. Masaccio was born on 21 December, 1401, in the town of San Giovanni Valdarno, in the valley of the Arno River, near Florence.He was the son of a notary, a person who writes legal documents.His older brother became a painter and moved to … Filippo Brunelleschi and Lorenzo Ghiberti, Orsanmichele and Donatello's Saint Mark, Florence, Alberti, Façade of Santa Maria Novella, Florence, Northern Italy: Venice, Ferrara, and the Marches, Devotional confraternities (scuole) in Renaissance Venice, Aldo Manuzio (Aldus Manutius): inventor of the modern book, Toward the High Renaissance, an introduction, Nicola da Urbino, a dinner service for a duchess, An introduction to the Northern Renaissance in the fifteenth century, Introduction to Fifteenth-century Flanders, Introduction to Burgundy in the Fifteenth Century, Northern Renaissance art under Burgundian rule, Biblical Storytelling: Illustrating a Fifteenth-Century Netherlandish Altarpiece, The question of pregnancy in Jan van Eyck’s, The Holy Thorn Reliquary of Jean, duc de Berry, An introduction to the Northern Renaissance in the sixteenth century, Inventing “America” for Europe: Theodore de Bry, Johannes Stradanus and Theodoor Galle, “The Discovery of America”. Masaccio,The Trinity (101 K) 1425-28 Fresco,667 x 317 cm Santa Maria Novella, Florence Web Gallery of Art ⦠This had seldom been done before him. Il détaille notamment l'extraordinaire trompe-l'Åil de la structure architectonique. Other resolutions: 109 × 240 pixels | 219 × 480 pixels | 274 × 600 pixels | 800 × 1,752 pixels. The cadaver tomb consists of a sarcophagus on which lies a skeleton. 100% satisfaction guaranteed. Around 1568 Cosimo I, then Duke of Florence, commissioned Giorgio Vasari to undertake extensive renovation work at Santa Maria Novella; in keeping with the tastes and religious politics of the time. Standing ….Links on this site are affiliate links. Terwyl die twee kunstenaars waarskynlik gelyktydig gewerk het, het hulle slegs omstreeks 1425 met … 0% Il 0% ha trovato utile questo documento, Contrassegna questo documento come utile. This painting was one of his last major commissions, and is considered to be one of his masterpieces. Da "Masaccio" [...] la Madonna Casini degli Uffizi. Masaccio, The Tribute Money in the Brancacci Chapel. I due committenti della famiglia Sassetti vengono rappresentati come nella Trinità del Masaccio. DATA: 1426-1428. These are the figures at the outermost opposite ends. The lower section, depicting a memento mori, in the form of a cadaver tomb, has also lost significant paint; but the restoration work there has been more restrained and less extensive. As was usual at the time, this was commissioned by âdonorsâ or patrons probably from the Berti family: the man dressed in red, kneeling in prayer at the left, and his wife at the right. Wikimedia Commons. We believe art has the power to transform lives and to build understanding across cultures. We created Smarthistory to provide students around the world with the highest-quality educational resources for art and cultural heritage—for free.
La Trinità è un affresco di Masaccio, conservato nella terza campata della navata sinistra della basilica di Santa Maria Novella a Firenze e databile al 1426-1428. Trinità, Masaccio. According to recently discovered (as of 2012) records of the Berti family, they owned a tomb at the foot of the fresco,[1] and it has been suggested that they might have had a particular "devotional loyalty" to veneration of the Holy Trinity. According to American art historian Mary McCarthy: The fresco, with its terrible logic, is like a proof in philosophy or mathematics, God the Father, with His unrelenting eyes, being the axiom from which everything else irrevocably flows. Masaccio's Holy Trinity became a hugely influential painting for generations of Florentine artists. The ratio between the upper and lower sections of the work is very roughly 3:1. La Trinità (Santa Maria Novella) è un dipinto autografo del Masaccio, realizzato con tecnica a fresco su muro nel 1426-28, misura 667 x 317 cm. In essa si trovano tutti i principali contenuti della cultura umanistica e si ha una perfetta sintesi tra pittura, scultura e architettura. The fresco is on the wall of the left aisle in Santa Maria Novella, opposite the entrance through the cloisters. Questa è una delle ultime opere di questo famoso artista. Juan Martínez Montañés and Francisco Pacheco, Louis le Vau, André le Nôtre, and Charles le Brun, Château de Versailles, Claude Perrault, East façade of the Louvre, John Michael Wright, The Coronation Portrait of Charles II, Different Places: Japanese porcelain with English gilt-bronze mounts, The Formation of a French School: the Royal Academy of Painting and Sculpture, The Age of Enlightenment, an introduction, Pierre-Alexandre Barthélémy Vignon, Church of La Madeleine, Jacques-Germain Soufflot, The Panthéon (Church of Ste-Geneviève), Paris, Lives of the Most Excellent Painters, Sculptors, and Architects the Artists, https://smarthistory.org/masaccio-holy-trinity/. The sole figure without a fully realized three-dimensional occupation of space is the majestic God supporting the Cross, considered an immeasurable being. This is probably due, at least in part, to the fact that the lower half of the fresco was not recovered until the mid-20th century. The fresco is on the wall of the left aisle in Santa Maria Novella, opposite the entrance through the cloisters. Practice: Masaccio, Holy Trinity (quiz) Masaccio, The Tribute Money in the Brancacci Chapel. This memento mori underlines that the painting was intended to serve as a lesson to the viewers. Masaccio, born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. E' probabilmente, l'ultima opera di Masaccio e rappresenta uno dei massimi capolavori del … Davanti a questa rappresen- Some regions of "new" paint can be clearly identified by differences in colour, visual texture and detail; and in certain places, by apparent "cracks" along the boundary between the original fresco surface, and areas of the design where the original surface is entirely absent and was repainted. Although the configuration of this space has changed since the artwork was created, there are clear indications that the fresco was aligned very precisely in relationship with the sight-lines and perspective arrangement of the room at the time; particularly a former entrance-way facing the painting; in order to enhance the tromp-l'Åil effect. Slow Tuscany > Tuscany > Florence > The Trinity of Masaccio. MISURE: 317x667cm Protagonista è l’architettura dipinta di una finta cappella, luogo della manifestazione della Trinità. "[4] This artistic technique is called trompe-l'Åil, which means "deceives the eye," in French. AUTORE: Masaccio. Salva Salva trinità masaccio per dopo. ... Download & View Trinità Masaccio as PDF for free. La Trinità è un affresco di Masaccio, conservato nella terza campata della navata sinistra della basilica di Santa Maria Novella a Firenze e databile al 1426-1428. Misura 317x667 cm ed è universalmente ritenuta una delle opere fondamentali per la nascita del Rinascimento nella storia dell'arte. The figures of the two patrons have most often been identified as members of the Lenzi family or, more recently, a member of the Berti family of the Santa Maria Novella quarter of Florence. Firenze -Santa Maria Novella, pulpito e Trinità-.jpg 1,714 × 2,294; 963 KB wide, the altar-table's appearance would have been intended to match and/or complement the painted architecture. The Brancacci Chapel (in Italian, "Cappella dei Brancacci") is a chapel in the Church of Santa Maria del Carmine in Florence, central Italy.It is sometimes called the "Sistine Chapel of the early Renaissance" for its painting cycle, among the most famous and influential of the period.Construction of the chapel was commissioned by Felice Brancacci and begun in 1422. Grootte van deze voorvertoning: 273 × 598 pixels. There was also an altar, mounted as a shelf-ledge between the upper and lower sections of the fresco, further emphasizing the "reality" of the artifice. Constructed as a pillared-shelf ~5 ft. above the floor, and estimated to be about 60 cm. Picture description of âTrinity / Die Trinitätâ by Masaccio (Fresko 667cm x 317cm, Florence, 1425) Picture description of âTrinity / Die Trinitätâ by Masaccio (Fresko 667cm x 317cm, Florence, 1425) The huge painting is about a biblical theme. Images of African Kingship, Real and Imagined, Introduction to gender in renaissance Italy, Sex, Power, and Violence in the Renaissance Nude, Confronting power and violence in the renaissance nude, The conservator’s eye: Taddeo Gaddi, Saint Julian, Florence in the Late Gothic period, an introduction, The Arena Chapel (and Giotto’s frescos) in virtual reality, Giotto, Arena (Scrovegni) Chapel (part 1 of 4), Giotto, Arena (Scrovegni) Chapel (part 2 of 4), Giotto, Arena (Scrovegni) Chapel (part 3 of 4), Giotto, Arena (Scrovegni) Chapel (part 4 of 4), A rare embroidery made for an altar at Santa Maria Novella, Andrea Pisano, Reliefs for the Florence Campanile, Siena in the Late Gothic, an introduction. Fra' Alessio's involvement has been posited more on the matter of the appropriate depiction of the Holy Trinity, according to the preferences and sensibilities of the Dominican order. At the simplest level the imagery must have suggested to the 15th-century faithful that, since they all would die, only their faith in the Trinity and Christ's sacrifice would allow them to overcome their transitory existences. Trinity is the most famous work of Masaccio beside the frescoes in the Cappelle Brancacci. Nicola Pisano, Pulpit, Pisa Baptistery, and Giovanni Pisano, Illustrating a Fifteenth-Century Italian Altarpiece, Linear Perspective: Brunelleschi’s Experiment, Napoleon’s appropriation of Italian cultural treasures. Masaccio was the first painter in the Renaissance to incorporate Brunelleschiâs discovery in his art. ); based on the full-profile pose used for the figures. It was commissioned by unknown donors, probably from the Lenzi or Berti … It has been hypothesized that Fra' Alessio Strozzi and/or Filippo Brunelleschi may have been involved, or at least consulted, in the creation of Trinity. [1] They serve as models of religious devotion for viewers but, because they are located closer to the sacred figures than the viewers are, they also lay claim to special status. Lâintonaco fu incollato su ⦠Jan 27, 2020 - Trinity Art Print by Masaccio. Considerando il grande valore che possedeva La Trinità di Masaccio, Vasari predispose alcuni accorgimenti che permisero allâaffresco di giungere fino al 1860 quasi integro. [8] The iconography of the Trinity, flanked by Mary and John or including donors, is not uncommon in Italian art of the late 14th and early 15th centuries, and the association of the Trinity with a tomb also has precedents. [9], Includes material taken from the Italian wikipedia version of this article, Coordinates: .mw-parser-output .geo-default,.mw-parser-output .geo-dms,.mw-parser-output .geo-dec{display:inline}.mw-parser-output .geo-nondefault,.mw-parser-output .geo-multi-punct{display:none}.mw-parser-output .longitude,.mw-parser-output .latitude{white-space:nowrap}43°46â²28â³N 11°14â²57â³E / 43.77444°N 11.24917°E / 43.77444; 11.24917, Rita Maria Comanducci, "'L'altare Nostro de la Trinità ': Masaccio's Trinity and the Berti Family,", Ursula Schlegel, "Observations on Masaccio's Trinity Fresco in Santa Maria Novella,", "Masaccio, The Holy Trinity (video) | Khan Academy", "Empire of the Eye: The Magic of Illusion: The Trinity-Masaccio, Part 2", https://en.wikipedia.org/w/index.php?title=Holy_Trinity_(Masaccio)&oldid=998230104, Paintings depicting the Crucifixion of Jesus, Articles containing Italian-language text, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Srpskohrvatski / ÑÑпÑÐºÐ¾Ñ ÑваÑÑки, Creative Commons Attribution-ShareAlike License, Jane Andrews Aiken, "The Perspective Construction of Masaccio's "Trinity" Fresco and Medieval Astronomical Graphics,", Wolfgang Kemp, "Masaccios 'Trinità ' im Kontext,", Alexander Perrig, "Masaccios 'Trinità ' und der Sinn der Zentralperspektive,", Joseph Polzer, "The Anatomy of Masaccio's Holy Trinity,", Dominique Raynaud, "Linear perspective in Masaccio's, This page was last edited on 4 January 2021, at 11:46. Soltanto 26 (o al massimo 27). Andere resoluties: 109 × 240 pixels | 219 × 480 pixels | 274 × 600 pixels | 800 × 1.752 pixels. It is unclear from available sources whether the lower section of the fresco, the cadaver tomb, remained unknown or was deliberately omitted (and possibly plastered over) during the 1860s construction work. He died in late 1428 at the age of 26, or having just turned 27, leaving behind a relatively small body of work. The leading theories as to their identity favour two local families; either the Lenzi or, for at least one of the figures, a member of the Berti, who were a working-class family from the Santa Maria Novella quarter of Florence. The skeleton represents a memento mori, or reminder of death. Tra i capolavori di questo grande pittore spicca La Trinità, realizzata nel 1427, ad affresco, sulla navata sinistra Dove si trova questa opera d’arte del Masaccio? Tra le prime opere a fare un uso concreto della prospettiva lineare per costruire un’illusione spaziale convincente, il capolavoro di Masaccio è una delle immagini più sorprendenti dell’epoca. La cappella Brancacci, situata all'interno della chiesa di Santa Maria del Carmine di Firenze rappresenta uno degli esempi più elevati di pittura del Rinascimento (1424-1428). Masaccio, Holy Trinity, c. 1427, Fresco, 667 x 317 cm, Santa Maria Novella, Florence Trinity is the most famous work of Masaccio beside the frescoes in the Cappelle Brancacci. Cite this page as: Dr. Steven Zucker and Dr. Beth Harris, "Masaccio, Featured | Art that brings U.S. history to life, At-Risk Cultural Heritage Education Series. To decorate the new altar, Vasari painted a Madonna of the Rosary; the image is extant, but has been moved to a different location within the church. In the Florentine dating system of that time, the new year began on March 25; and factoring in the conversion from Julian to Gregorian calendars Domenico's death, as recorded, would have been on 19 January 1427. “Trinità” Masaccio (particolare della Vergine, San Giovanni e dello scheletro) Data di realizzazione: 1425-1427 Dimensioni: 667 x 317 cm Dove si trova: Basilica di Santa Maria Novella, Firenze Trinità di Masaccio: analisi Restoration was done to the Crucifixion section of the painting at that time, to replace missing areas of the design; mostly architectural details around the perimeter of the work. La Trinità è un affresco di Masaccio, conservato nella terza campata della navata sinistra della basilica di Santa Maria Novella a Firenze e databile al 1426-1428. There are various opinions as to exactly when this fresco was painted … Masaccio's "Trinity" Damiano Andreini. La Santa Trinità is the Holy Trinity; the Father, Son, and Holy Spirit. Freskói a humanizmus gondolatvilágának legkorábbi emlékei, amelyeken az alakokat addig ismeretlen plaszticitással ábrázolta. Firenze LA TRINITÀ DI MASACCIO, Basilica Santa Maria NovellaERA LA FINE DEL 1200 QUANDO NELLA CHIESA DEL CONVENTO DEI DOMENICANI IL CROCIFISSO INIZIÒ A ⦠La Trinità è un'opera di Masaccio, un lavoro che rappresenta il passaggio nell'era moderna dell'arte. Most scholars have seen it as a traditional kind of image, intended for personal devotions and commemorations of the dead, although explanations of how the painting reflects these functions differ in their details. Lâopera âTrinitàâ, realizzata da Masaccio tra il 1426 e il 1428, consiste in un affresco di dimensioni pari a 667x317cm.
Ratto Di Proserpina Statua, Hegel - Lezioni Sulla Filosofia Della Storia Pdf, Orario Messe Madonna Dell'olmo Cuneo, Sostituzione Cuscinetti Pedali Look, Merlera Case In Vendita, Siamo Fatti Così - Il Cuore, Ippolita E Antiope,