Star Trek III - Alla ricerca di Spock; Usage on pl.wikipedia.org Star Trek III: W poszukiwaniu Spocka; Usage on www.wikidata.org Q221305; Metadata. The wireframe biplanes were created using black lines on clear paper printouts placed on an overlay cell. [39] The animal was a hand puppet; Ralston operated the head and body by placing his arm into an opening on the creature's side while hidden inside Kruge's command chair. Collegamenti Rapidi . [34], To save money, many sets, particularly interiors,[35] were redresses of existing sets. "[5] Studio chief Michael Eisner was reluctant to hire Nimoy because he mistakenly believed that the actor hated Star Trek and had demanded in his contract that Spock be killed. Star Trek III - Alla Ricerca di Spock - Star Trek III The Search for Spock (1984) 1080p H264-MIRCrew 2.54GB Goat (2016) Web-dl mux H264 1080p Ita Eng Ac3 Sub Eng - By Pulce0000 -T7ST.mkv 4.36GB 1995 - Matrimonio a 4 mani webrip 1080p Ita Eng ac3 sub Eng.mkv 7.70GB Sent from and sold by Global_Deals. Grace Lee Whitney, who played Janice Rand in the original Star Trek series, made a cameo appearance (wearing a wig) as "Woman in Cafeteria". Marcus is killed defending Saavik and Spock. "[21] A major issue Bennett wrestled with was how to introduce the story for people who had not seen The Wrath of Khan. David muss außerdem erkennen, dass der Planet Genesis nicht nur rapide altert und instabil ist, sondern infolge dessen zu zerbrechen droht. Fletcher's job was to sketch outfits, choose the necessary fabrics, and complete the fittings for principal characters. The Enterprise bridge was reconfigured to stand in for the Grissom, with the chairs reupholstered and the central navigation console rotated to modify the floor plan. [36] Nimoy had felt the previous grey color scheme did not express a Vulcan style, and had it brightened with yellows and oranges. Kirk und seine Mannschaft haben sich jedoch auf den Planeten gebeamt und zuvor die Selbstzerstörung aktiviert. Star Trek III - Alla ricerca di Spock [Import italien] Format: DVD. They switched to diffusion filters for light passes, as using smoke for longer shots would have required time-consuming smoke level monitoring. The soundtrack would be Horner's final contribution to Star Trek. Offices and workshops were bereft of identifying signage, with doors double-locked for extra protection. The Federation starship Enterprise returns to Earth following a battle with the superhuman Khan Noonien Singh, who tried to destroy the Enterprise by detonating an experimental terraforming device known as Genesis. The small worms were created by injecting molten "Hot-Melt" vinyl into epoxy polymer molds that were immediately put into cold water to create a translucent product. Obwohl dies bei den Fans Zuspruch fand, wurde der Film von Fans und Kritikern nicht so positiv aufgenommen wie sein Vorgänger Star Trek II: Der Zorn des Khan, was zu der unter Fans verbreiteten Ansicht beitrug, dass Star-Trek-Filme mit ungerader Nummerierung schlechter seien als die mit gerader Nummerierung. With William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan. [13][45] Like Correll, Ralston used Eastman 94 for all shots that did not require bluescreen. Il dottor Spock non è morto. Welten, die noch nie ein Mensch erblickt hat.“. This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. [94] Fellow Post critic Gary Arnold concurred with Kempley's television film assessment, but also wrote that Nimoy was smart to focus on the essentials of each scene; he "[concentrates] on the actors in ways that flatter and enhance their work. At Kirk's prompting, Spock recalls he would refer to Kirk as "Jim" and recognizes the crew as well. Star Trek III - Alla ricerca di Spock: Japan (Japanese title) スター・トレック3 ミスター・スポックを探せ! Mit Leonard Nimoy führte hier erstmals einer der Hauptdarsteller der Serie auch Regie – eine Neuerung, die in den folgenden Filmen fortgesetzt wurde. Sold by AMZN EVERYDAY DEALS and ships from Amazon Fulfillment. This item: Star Trek 3 - Alla Ricerca Di Spock (Edizione Rimasterizzata) by william shatner DVD $17.15. After the death of Spock (Nimoy), the crew of the USS Enterprise returns to Earth. The Excelsior required eight passes to supplement the main "beauty pass", the Enterprise six. [59] Jeff Bond described the cue as a compromise between music from Horner's earlier film Wolfen, Khan's motif from The Wrath of Khan, and Jerry Goldsmith's Klingon music from The Motion Picture. ← VorgängerStar Trek II: Der Zorn des Khan, Nachfolger →Star Trek IV: Zurück in die Gegenwart. He swears that I was trying to direct him with the movement and flutter of my eyelids." [31] The cafeteria was a set built at ILM and filled with 40 extras in front of a bluescreen so that the dock and Enterprise could be composited in later; matte paintings extended the ceiling of the set. The scene was cut because the procession dragged on for too long. Excelsior konnte Scott zuvor sabotieren. [48] One of the largest miniatures, measuring 20 by 16 feet (6.1 by 4.9 m), had trick trees and trapdoors that could be reset, propane jets for gusts of fire, and solenoid-triggered rockfalls. Sie finden Rezensionen und Details zu einer vielseitigen Blu-ray- und DVD-Auswahl – neu und gebraucht. [34], The most laborious effects sequences took place inside Spacedock; months were spent completing the station's interior shots. Offscreen helpers pushed the rods or pulled fishing line to create motion; the scene required many takes because the fishing line would periodically flash at the camera. [17] To create the orange atmosphere, Correll used a large 15-by-15-foot (4.6 by 4.6 m) floodlight, created for the 1983 Peter Hyams film The Star Chamber, placed on the top of a 110-foot (34 m) crane. Der Plan von Produzent und Drehbuchautor Harve Bennett, vor der Uraufführung des Films die Zerstörung der Enterprise geheim zu halten, wurde von einer entsprechenden Enthüllung im Trailer zum Film zunichtegemacht. [30] Simulated zero-gravity explosions were filmed and reflected onto a card using the same motion control program used for the models. "What should a person do to help a friend? The pair learn that before he died, Spock transferred his katra, or living spirit, to McCoy. Kruge beams back to the Bird of Prey. David erklärt Spocks Zustand mit dem Genesis-Phänomen, das zur Regeneration von Spocks Körper führte. [30] The USS Grissom was named for astronaut Virgil "Gus" Grissom; the same model would be used to depict other science vessels in the television series Star Trek: The Next Generation. Die Übernahme der Regie durch Leonard Nimoy nährte bereits Spekulationen, dass der von ihm dargestellte Charakter des Captain Spock in diesem Star-Trek-Film wieder ins Leben zurückkehren würde. "It was really just a gag shot", effects artist Charlie Mullen explained, "the idea that people in the future would be playing an old war game. Nimoy said that Lloyd brought a welcome element of theatricality to the role. "[99], In 2018, Popular Mechanics ranked the scene where the NCC-1701 Enterprise starship is destroyed, the 32nd-greatest scene in the science fiction film and television genre. [81] The film made $76.5 million in North America,[82] for a total of $87 million worldwide.[3]. [30] ILM contributed 120 shots to the film. $7.35 . [18], Paramount gave Bennett the green light to write Star Trek III the day after The Wrath of Khan opened,[19] the fastest go-ahead the producer had received. Su Screenweek trovi tutte le foto e i poster del film Star Trek III: Alla ricerca di Spock, oltre a video, trailer e recensioni della redazione e degli utenti. The ship models required multiple camera passes because different parts of the ship and its lights were filmed at different exposure levels. Many attributed the leak and the acrimony that followed to Roddenberry himself; The rationale behind keeping the name stemmed from the original, To the Stars: The Autobiography of George Takei, List of Star Trek films and television series, List of films featuring extraterrestrials, "Lower Costs Energize 'Trek' Film Profits", "NEW 'STAR TREK' PLAN REFLECTS SYMBIOSIS OF TV AND MOVIES", "Jesus Covered In a Secular Wrapper: The Christ-figure in Popular Films", "Lessons From Star Trek: Examining the Social Values Embedded in Technological Programs", "FSM Releasing Expanded Edition Of Horner's Star Trek III: The Search For Spock Soundtrack", "The Top 10 Uhura Moments from Star Trek", "Star Trek III: The Search for Spock – Special Collector's Edition; The best odd-numbered Trek film gets a special edition", "TrekMovie: CBS & Paramount Announce First Star Trek Blu-ray sets – TOS S1 & All TOS movies coming April/May", Leonard Nimoy Presents Mr. Spock's Music from Outer Space, https://en.wikipedia.org/w/index.php?title=Star_Trek_III:_The_Search_for_Spock&oldid=1007945468, Films based on Star Trek: The Original Series, Short description is different from Wikidata, Wikipedia articles with WorldCat-VIAF identifiers, Wikipedia articles with multiple identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 20 February 2021, at 19:14. [8] Correll hoped the place would burn down so that he would get his chance to film in Hawaii. [79] The Search for Spock grossed over $16 million in its opening weekend. Massive fans were used to keep equipment cool and prevent the lights from melting or warping the dock's interior artwork. [52], The fiery breakup of the Genesis planet involved fire, smoke, and earth upheaval. Maslin wrote that certain tacky elements of the film's television roots were outweighed by the closeness of the Enterprise crew and "by their seriousness and avidity about what seem to be the silliest minutiae [...] That's what longtime Trekkies love about the series, and it's still here—a little the worse for wear, but mostly untarnished. In späteren Fernsehausstrahlungen waren sie aber teilweise wieder vorhanden. Nimoy was thankful that the story required him to appear in a minimal number of scenes. [17] The idea and name of the Vulcan "katra" came from Bennett's discussions with Nimoy. [31], The Klingon Bird of Prey's cloaking device required a new effect. However, he has declared that he had no doubts about Nimoy's ability to direct the film. [46] Many ornamental touches Nimoy wanted for the procession scene ultimately never materialized. 2013: Into Darkness • A graphic bird design was integrated into the ship's underside. [83] The Expanded Edition included both the original Capitol Records release from 1984 and an all-new version which featured the complete soundtrack as heard in the film, including alternate versions as well as many cues heard for the first time outside of the film. [5] The rapidly aging Spock, at the ages of 9, 13, 17, and 25, was portrayed successively by Carl Steven, Vadia Potenza, Stephen Manley, and Joe W. Davis. Critical reaction to The Search for Spock was positive, but notably less so than the previous film. The solution was to dress her with an overlong hem and built-up shoes which, combined with a crown, added 6 inches (15 cm) to her height. The disc features a new commentary track by former Star Trek: The Next Generation, Deep Space Nine, and Voyager television writers Ronald D. Moore and Michael Taylor. George Lucas’ Trick-Firma ‚Industrial Light & Magic‘ lieferte diesmal wesentlich bessere visuelle Spezial-Effekte als bei den beiden Vorgängern. Spock è morto e McCoy sta inspiegabilmente perdendo la ragione. Star Trek III: The Search for Spock is a 1984 American science fiction film, written and produced by Harve Bennett, directed by Leonard Nimoy, and based on the television series Star Trek. "The main part of the floor was rigged so that rocks would shoot up out of the ground [on catapults]. [89] In a 2010 retrospective of the film franchise, author Jill Sherwin suggests the aging Enterprise served as a metaphor for the aging Star Trek franchise. Among the promotional merchandise created for the film's release were Search for Spock-branded calendars[73] and glasses sold at Taco Bell. Esteban, the captain of the ill-fated Grissom. [100] In 2016, SyFy noted this film for actress Nichelle Nichols' presentation of Uhura, as having her second-best scene in Star Trek. "It didn't come down to money in the end but to who could do it quickly [...] we had a [reputation] for working fast and doing quality work," Burman explained. Be warned. [85][86] Roger Ebert called the film "good, but not great" and a compromise between the special effects-dependent The Motion Picture and the character-driven The Wrath of Khan. During filming, Sosalla and crew sprinkled the creature with water to make it look more unpleasant. As a pause in work meant wasted time, effects editors Bill Kimberlin and Jay Ignaszewski produced usable effects shots for the live-action editors at Paramount; these half-finished, monochromatic composites gave the editors an idea of scene pacing. Sci-fi & fantasy. [13], The designer and production staff were satisfied with the Klingon costume designs inspired by feudal Japanese dress, made by Fletcher for The Motion Picture, but they had to make new versions;[38] of 12 original costumes, half had been destroyed during publicity tours. He collaborated with costumer Jim Linn, who clothed extras and managed the logistics of cleaning, repairing, and tracking costumes. The effect was produced by cutting out or rotomatting the individual to be transported, then making a vertical slot through which a high-intensity light was positioned. [12] In addition, he wanted the characters to have significant scenes, however small, that made them grounded and real. George created a light Styrofoam model that was dissolved by acetone dripped on the saucer from above. Any mention of the production was removed from stationery and documents, and "Trois" (three, in French) was written as a code word. [41] Additions to established clothing included an officer's vest for Kruge, and jewelry. Nimoy was also interested in scientific ethics—how quickly can science move and what are the dangers of that movement. The resulting Klingon makeup took two hours to apply. "We found the interior demanded some degree of atmospheric haze, even though there probably wouldn't be any in space," Farrar said. [107][108], The film was briefly removed from Netflix in August 2013 because of inaccurately translated Klingon and Vulcan subtitles. Correll could not add smoke to the scene to enhance the bar "feel", because the disturbed atmosphere would have made ILM's game hard to insert. Star Trek III – Alla ricerca di Spock. Add to Wishlist. [27], Robert Fletcher, costume designer for the previous Star Trek films, was responsible for The Search for Spock's wardrobe. For the animal's demise during the Klingons' fight with the Enterprise, an additional "dead" puppet was created, but Ralston used the "live" one for the scene instead. [71] The Genesis Device was intended as a liberating technology, creating life from lifelessness, but in the Klingon view it is a tool for dominion (contrasting the contemporary views of how technology can promote or constrain liberty). #StarTrekIIIAllaRicercaDiSpock Risposte Visite Ultimo messaggio; HTTPS. Geschockt von der Nachricht und dem Zustand der Enterprise entschließt sich Kirk, Kruge in einen Hinterhalt zu locken. [17] The production's estimated budget of $16 million[2] was slightly larger than that of The Wrath of Khan, but still much less than Star Trek: The Motion Picture (1979). His friends joyfully gather around him. While most of the set was undamaged, holes in the side of the building had to be covered with heavy black curtains to prevent outside light from leaking in. "[95], The Search for Spock's plot solicited comment; Schickel called the film "overplotted" and filled with "heavy expository burdens", comparing it to real opera. Dort angelangt, entfernt die Hohepriesterin T’Lar Spocks Katra aus McCoy und überträgt sie auf Spocks Körper. [109], "Star Trek 3" redirects here. Dazu bietet er Kruge die Kapitulation an, der daraufhin Truppen zum Entern auf die Enterprise schickt. [32] The inside of the dock was simulated by an additional model, 20 feet (6.1 m) long, with a removable center section. It is the third film in the Star Trek franchise, and is the second part of a three-film story arc that begins with Star Trek II: The Wrath of Khan (1982) and concludes with Star Trek IV: The Voyage Home (1986). Star trek III: alla ricerca di Spock; Star Trek III: Auf der Suche nach Mr. Spock; Star trek III: En busca de Spock; Star Trek III: In Search of Spock; Star Trek III: Return to Genesis; Star Trek no 3 - Anazitontas ton mister Spock; Uzay yolu III - Spock'in pesinde; Viaje a las estrellas 3: En busca de Spock; Close. … The usual method for achieving the effect of the creature wrapping itself around Kruge would have been to film the sequence in reverse, but this posed problems: the slime coating Kruge would have been out of place with reverse filming, and multiple takes would ruin the Klingon makeup Lloyd wore. Possessing much of the campy, obvious charm of The Original Series, Star Trek III: The Search for Spock doesn't hold the weight, stature or sincerity of Star Trek at it's peak, but still manages to please and entertain as a stand-alone science fiction film. Mullen noted that the effects' look changed depending on who was directing the film; "everyone wants something distinctive, but nobody wants to get far enough away from the TV series to startle the Trekkies". Meanwhile, Kruge (Christopher Lloyd), the commander of a Klingon vessel, intercepts information about Genesis. Spock's katra and body are needed to lay him to rest on his homeworld, Vulcan, and without help, McCoy will die from carrying it. Star Trek IV: The Voyage Home [Blu-ray] [1986] by William Shatner Blu-ray £7.31. There, Spock's katra is reunited with his body in a dangerous procedure called fal-tor-pan. News & Updates. Enterprise to return to the restricted Genesis Planet to recover Spock's body. [39], Many of the props in The Wrath of Khan had been reused from The Motion Picture, or scrounged from other productions, but for The Search for Spock Winter wanted to design uniquely Star Trek items. Shatner remarked that being directed by Leonard Nimoy, his longtime co-star and friend, was initially awkward, although as the shoot went on, it became easier as Shatner realized how confident Nimoy was. [58], Composer James Horner returned to score The Search for Spock, fulfilling a promise he had made to Bennett on The Wrath of Khan. Lloyd was given the role of Kruge, a Klingon interested in securing the powerful secrets of Genesis for use as a weapon. It featured a text commentary by Michael Okuda and audio commentary from Nimoy, Bennett, Correll, and Curtis. The most drastic change was made to Spock's quarters. The realism of the dock scenes was heightened by live action footage of a cafeteria, with windows overlooking the dock interior. It went on to gross $76 million at the domestic box office, with a total of $87 million worldwide. [48], For the final destruction of the Genesis planet, footage from the Paramount set had to be carefully matched with ILM effects footage. In Stock. The effects artists were concerned about producing the right look no matter the time involved. Composer James Horner returned to expand his themes from the previous film. Da raccomandare solo agli Star Trek … Since the doomed planet was no longer a paradise, the art director, Nimoy, Bennett and Correll considered constant changes to the colors on the scenes, but decided not to get "fancy photographically". Kelley has the majority of the film's memorable scenes, but admitted to occasional difficulties in acting with and being directed by his longtime co-star. Lloyd fell a few feet onto a black mattress; during a lightning flash the actor was replaced by the puppet that fell the rest of the distance.
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